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Music of Caprica : ウィキペディア英語版 | Music of Caprica
The music of ''Caprica'' is a body of work credited to composer Bear McCreary. ==Background== Bear McCreary, the composer for parent series ''Battlestar Galactica'', has been tasked to compose for the new series. Despite his critically acclaimed work on ''Battlestar'', McCreary was not initially considered for ''Caprica''. The producers preferred a completely new direction in order to emphasize the program as separate from its predecessor, however, they changed their minds after he showed that he could deliver something different. McCreary says: "It needed to be more intimate, more familiar, more classical, and pull away from the raw tribal energy that was in ''Battlestar''". However, some elements of the ''Battlestar'' score are used to hint at the future, sparingly at first with the potential to evolve further in that direction in future seasons, including the Adama family theme and the Colonial Anthem. McCreary's work on ''Caprica'' is almost entirely orchestral. As on ''Battlestar Galactica'', character themes are used extensively, however, world ethnic influences play a much smaller role. The full ethnic percussion ensemble, including taikos, frame drums, dumbeks, chang changs, tsuzumis and other instruments, was brought in, although used much more sparingly than on ''Battlestar''. The Tauron Theme draws inspiration from Russian folk music.〔 In the episode "End of Line", the soundtrack prominently features an opera composed for the show by McCreary and sung by Alessandro Juliani, who played Felix Gaeta in ''Battlestar Galactica''.〔(Bear's Battlestar Blog >> Blog Archive >> Caprica: End of Line )〕 The second episode of Caprica borrows music from another Bear McCreary composition, the ''Terminator: The Sarah Connor Chronicles'' soundtrack. "Atomic Al's Merry Melody" is playing in the background when Lacy visits the home of Sister Clarice Willow.
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